If it wasn't for Hope's joking about it so much you wouldn't know they were supposed to be sexy, but of course he does joke, and joke, and joke, about it. Anita Ekberg and Edie Adams play rival spies in a sort of dull-eyed way. About the worst excess, other than the title, is when Hope makes a couple of porters carry his luggage on their heads, instead of toting them the normal way, because its more like what he's seen in 'National Geographic.'What's more off is the threadbare plot and a cast of supporting players who don't want to be there. Hope's the buffoon, and for most of the film the black people around him are not targets as much as witnesses to his embarrassment.
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'Bobby Kennedy? Teddy Kennedy? Jackie Kennedy? Caroline? Boy, these guys must be Republicans!'The attitude toward native Africans in this movie is not that bad. 'You know, President Kennedy?' No reaction. 'I'm here on a mission for the President of the United States,' he tells a hostile-looking group of tribesmen. Only someone forgot the jokes.Hope just moseys through the film, his timing solid but firing blanks. No, you're supposed to enjoy this film as a vehicle for jokes. Hope's not making 'Out Of Africa,' and the fact that the Frank Buck era of the Great White Explorer in Africa kind of ended by World War II is a minor nuisance, as is the fact its unlikely NASA couldn't find its own capsule with all the high-tech stuff they had even back then. and the Soviets figure Merriweather's the only man to find it.The story is flimsy on many levels, but that's really not what's wrong here. Only everyone thinks he's on the level, which is a problem when a capsule crashes down in Africa and both the U.S. The lack of similar scripts in the 1960s didn't stop Bob from working, however, and the results were films like 'Call Me Bwana' that diminished his legacy in a small but annoying way.As the politically incorrect title suggests, this is a safari-themed picture, with Bob playing Matthew Merriweather, a writer who palms off his uncle's memoirs of African adventure as his own while loafing around his Manhattan bachelor pad in a leopard-print bathrobe. Read Moreįor years Bob Hope was one of cinema's most engaging presences, as classic comedies like 'My Favorite Brunette/Blonde' and 'The Princess And The Pirate' make clear even today. On the other hand, just as I can enjoy and appreciate comedies made decades before even my generation, people whose experience is only of today might broaden their horizons and get a kick out this when they simply want to personally relax and have a little fun. I 'get' the jokes in the film that were aimed at then-current events and people. I was six when it came out, and I still remember what was going on in that era. It succeeds for what was intended, but it's very much a movie of its time. I've seen this three or four times over the years, and I've always looked forward to seeing it again.I doubt, though, that people born after the 1960s would think much of it. Even the Africans were funny, but not in a demeaning way. Everyone comes off as a buffoon, the Americans, the Russians, the CIA, the KGB. The plot was silly, but it wasn't boring. I thought Hope was funny enough, and I liked the supporting players, all memorable to me. (I use movies as a springboard to the imagination anyway). I just want to say that I had fun watching this film, and that's really all the justification I need. Everyone is entitled to their opinion, and I'm not going to argue with the other reviewers. Vikash Kumar Singh and Prabhat Kumar Singh are presently associated as directors.If you read the other reviews here, you'll be told about how bad this movie is. Vikash Kumar Singh an.Ģ Directors are associated with the organization.
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